Sans Normal Olnij 14 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad' and 'Myriad Devanagari' by Adobe and 'Akagi Pro', 'Clear Sans Screen', and 'Clear Sans Text' by Positype (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui labels, modern, confident, friendly, utility, clean, impact, clarity, contemporary branding, functional display, geometric, rounded, sturdy, neutral, high legibility.
A heavy, geometric sans with smooth, rounded bowls and largely circular construction in characters like C, O, and Q. Strokes stay uniform with minimal modulation, producing dense color and strong silhouette clarity. Terminals are clean and mostly straight-cut, while joins are firm and slightly softened by rounding, keeping counters open and readable. Uppercase forms are broad and stable; lowercase shows simple, functional shapes with a single-storey a and g and compact, straightforward punctuation-like details (dots on i/j) that read clearly at size. Numerals are similarly solid and uncomplicated, matching the overall geometric rhythm.
This font is well suited for headlines and short copy where strong presence and quick recognition matter, such as posters, packaging, and brand marks. It also works for signage and large-format wayfinding thanks to its open counters and sturdy forms. In digital interfaces it can perform well for buttons, labels, and navigation where a clear, modern sans is needed.
The tone is modern and dependable, projecting straightforward confidence without feeling cold. Its rounded geometry adds a mildly friendly, accessible character while the heavy weight keeps it assertive and attention-grabbing. Overall it feels practical and contemporary, suited to clear messaging.
The design appears intended to provide a robust, geometric sans for impactful display use while retaining enough clarity for supportive text. Its simplified lowercase and circular construction suggest an emphasis on consistency, neutrality, and contemporary usability across branding and interface contexts.
Spacing and overall rhythm appear even, creating a consistent, blocky texture in paragraph settings. The Q’s tail and the simplified, single-storey lowercase forms reinforce a geometric, contemporary voice rather than a humanist one.