Sans Superellipse Pekuf 10 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Cantiga' by Isaco Type; 'Belle Sans' by Park Street Studio; 'Akwe Pro' by ROHH; and 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, friendly, playful, punchy, retro, impact, approachability, modern geometry, display clarity, rounded, blocky, compact, geometric, soft corners.
A heavy, rounded sans with superellipse construction: curves read as squarish rounds and corners are broadly softened rather than fully circular. Strokes are monolinear with firm terminals and minimal modulation, producing dense, high-impact letterforms. Proportions lean toward compact counters and sturdy bowls; joins and shoulders are smooth and simplified, and the overall rhythm is tight and even. Numerals match the same chunky, rounded-rectangle logic, with sturdy diagonals and flattened curves that keep the texture bold and uniform.
Best suited to display settings where bold, rounded forms can carry the message—headlines, posters, retail signage, packaging, and brand marks. It can work for short bursts of text such as callouts, labels, and UI hero headings where a friendly but forceful voice is desired.
The tone is approachable and upbeat, combining a contemporary geometric feel with a slightly retro, toy-like friendliness. Its rounded corners soften the weight, while the dense silhouettes keep it confident and attention-grabbing.
Designed to deliver maximum impact with softened geometry: a compact, sturdy sans that stays legible at a glance while projecting warmth. The consistent superellipse rounding suggests an intent to feel modern and approachable without sacrificing the mass needed for attention-focused typography.
The shapes maintain consistent rounding across caps, lowercase, and figures, giving text a cohesive, logo-ready texture. In paragraphs it reads as a dark, compact typographic color, with enclosed forms staying relatively tight and emphasizing the font’s solid, poster-like presence.