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Free for Commercial Use

Sans Normal Jolud 1 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Myriad' by Adobe, 'Diaria Sans Pro' by Mint Type, 'Interval Next' by Mostardesign, 'Huai' and 'Huai Thai' by Positype, and 'Marble' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports, sporty, dynamic, confident, retro, playful, impact, speed, emphasis, approachability, oblique, rounded, soft corners, compact, high impact.


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A very heavy, oblique sans with compact, rounded forms and smooth, continuous curves. Strokes are consistently thick with gently tapered joins, and counters are relatively tight, giving the face strong mass and dark color on the page. The slant is pronounced and uniform, while terminals are mostly blunt with softened corners rather than sharp cuts. Uppercase shapes lean toward geometric simplicity, and the lowercase shows single-storey constructions (notably a and g) with lively, slightly irregular internal spacing that adds motion. Numerals are bold and sturdy, with rounded bowls and angled stress that echoes the overall slant.

Best suited for display applications where impact and motion are desired, such as headlines, posters, sports and event graphics, bold branding, and packaging callouts. It can work for short bursts of text (taglines, pulls, labels) where the oblique stance adds emphasis, but it is less ideal for long-form reading at small sizes due to its dense color and tight counters.

The overall tone is energetic and assertive, with a sporty, fast-moving feel driven by the strong oblique angle and dense weight. Its rounded geometry keeps the mood friendly rather than aggressive, producing a confident, upbeat personality with a subtle retro flavor.

The design appears intended to deliver a high-impact, speed-forward sans that pairs a strong oblique stance with rounded, approachable geometry. It prioritizes visual punch, clear silhouette, and a cohesive rhythmic slant for attention-grabbing typography.

In text, the heavy weight and tight apertures can reduce clarity at smaller sizes, but the big shapes and consistent rhythm hold together well at display scales. The strong slant and compact proportions help create a sense of momentum and emphasis, especially in short lines and headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸