Sans Superellipse Okreh 5 is a bold, narrow, low contrast, upright, normal x-height font.
Keywords: headlines, posters, signage, packaging, logos, industrial, retro, technical, compact, utilitarian, space saving, strong impact, industrial voice, retro-tech feel, geometric consistency, rounded corners, squared curves, condensed, monoline, blocky.
A condensed sans built from rounded-rectangle geometry, with squarish counters and generously radiused corners. Strokes are monoline and heavy, producing a dark, even texture with minimal modulation. Curves read as superelliptical rather than circular, and terminals are consistently softened, giving the face a machined, molded quality. The lowercase is compact with sturdy stems, small apertures, and tight internal space, while numerals follow the same squared-off, softened construction for a cohesive set.
Best suited to headlines, posters, and signage where a compact footprint and strong presence are needed. It also fits packaging, labels, and logo wordmarks that benefit from an industrial, rounded-rect style. In longer text, it works most comfortably at larger sizes with ample spacing to offset the tight counters.
The overall tone feels industrial and functional, like labeling on equipment, transit signage, or mid-century packaging. Its softened corners keep it friendly, but the condensed, blocky build still communicates efficiency and control. The result balances retro-tech character with modern cleanliness.
The font appears designed to deliver a condensed, high-impact sans with a distinctive rounded-rectangle skeleton, prioritizing uniformity and a sturdy, engineered look. Its consistent corner rounding and squared curves suggest an intention to evoke technical signage and retro industrial typography while remaining clean and approachable.
The design favors clear silhouettes and uniform rhythm over open counters, creating strong impact at display sizes and in short bursts of text. Round letters such as O/C/G lean toward squared curves, and the punctuation/diacritics shown (e.g., dotted i/j) match the stout, rectilinear logic.