Sans Superellipse Dyja 5 is a regular weight, very wide, medium contrast, italic, normal x-height font.
Keywords: headlines, branding, sports, technology, posters, futuristic, sleek, technical, sporty, digital, convey speed, signal tech, modernize branding, create distinctiveness, rounded, oblique, streamlined, geometric, extended.
A wide, oblique sans built from rounded-rectangle geometry, with softly squared curves and consistently radiused corners. Strokes are smooth and mostly monolinear, with clean, open counters and a pronounced horizontal emphasis. Terminals frequently finish with rounded ends, while many letters use flat, slightly squared joins that reinforce a superelliptical, engineered feel. Numerals and lowercase maintain the same extended stance, and several forms include distinctive baseline “skid” bars on characters like S/s, Y/y, and 5/9, adding a signature underline-like accent.
Best suited to headlines and display settings where its wide, slanted forms can convey motion and modernity. It works well for technology and gaming UI accents, sports and automotive branding, packaging, and posters—especially where a sleek, engineered look is desired. For long-form text, it will be more effective in short bursts, labels, and callouts rather than dense paragraphs.
The overall tone is modern and forward-leaning, suggesting speed, efficiency, and a tech-centric aesthetic. Its rounded geometry keeps it approachable, while the sharp, extended silhouettes and oblique slant push it toward sci‑fi, automotive, and sports branding cues.
This font appears designed to blend geometric, rounded-rectangle construction with an oblique, speed-oriented stance. The goal seems to be a contemporary display sans that reads as technical and futuristic while remaining friendly through softened corners and open counters.
Rhythm is driven by broad letterforms and generous interior space, which helps legibility despite the stylized construction. The design language stays consistent between uppercase, lowercase, and figures, with the most decorative moments appearing as deliberate baseline bars and compact, squared curves rather than flourishy details.