Sans Other Ofma 7 is a very bold, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, game titles, album covers, aggressive, futuristic, industrial, gaming, metal, impact, edginess, sci-fi feel, display focus, brandability, angular, faceted, stencil-like, chiseled, high-impact.
A heavy, angular sans with faceted, wedge-cut terminals and hard, geometric joins. The letterforms are built from straight strokes and sharp corners, with frequent diagonal notches and cut-ins that create a chiseled, almost stencil-like silhouette. Counters are small and often rectangular or triangular, and several glyphs show deliberate asymmetries and sliced interior detailing that adds motion. Spacing and widths vary per character, producing a punchy, irregular rhythm that reads best at larger sizes.
Best for short, high-impact typography such as posters, title screens, brand marks, packaging callouts, and event graphics where the sharp geometry can read clearly. It also suits UI accents or section headers in tech or sci‑fi themed layouts, but is less appropriate for long-form reading due to its dense detailing and spiky texture.
The overall tone is intense and confrontational, with a synthetic, weaponized geometry that feels suited to action-forward themes. Its sharp cuts and compact counters give it a futuristic-industrial edge, evoking gaming, sci‑fi interfaces, and metal/urban poster aesthetics.
The font appears designed to deliver maximum impact through aggressive, faceted construction—prioritizing attitude, motion, and a distinctly angular silhouette over neutrality. Its cut-in shapes and wedge terminals suggest an intention to feel engineered and edgy, making even simple words look stylized and forceful.
The design relies on internal cutouts and pointed terminals to define character identities, which makes the texture visually busy in paragraph settings. The uppercase and lowercase share the same angular construction logic, with the lowercase often appearing as compact, stylized counterparts rather than traditional text forms.