Sans Superellipse Tedud 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Plasma' by Corradine Fonts, 'Futo Sans' by HB Font, 'Erbaum' by Inhouse Type, 'Taca' by Rúben R Dias, and 'Metral' by The Northern Block (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, app ui, playful, friendly, techy, chunky, retro, impact, approachability, display clarity, geometric branding, rounded, soft corners, blocky, compact counters, geometric.
A heavy, rounded-rectangle sans with soft corners and predominantly flat terminals. Curves resolve into superellipse-like bowls and squarish rounds, giving letters a compact, blocky footprint. Counters are relatively small and mostly rectangular, and the strokes stay consistently thick with minimal modulation. The lowercase shows simple, sturdy constructions (single-storey a, compact e), while diagonals and joins (v, w, k, x) keep the same chunky rhythm through softened angles.
Best suited for short, high-visibility text such as headlines, logos, labels, and poster typography where its chunky silhouettes can carry the layout. It can also work for UI accents, badges, and playful interface elements when used at sizes that preserve the small counters and interior details.
The overall tone is upbeat and approachable, with a toy-like sturdiness that reads modern and slightly retro at the same time. Its squared rounds and tight counters create a confident, high-impact voice that feels at home in playful tech, gaming, and bold branding contexts.
The design appears intended to translate geometric, rounded-rectangle forms into a robust display sans that stays friendly rather than severe. By combining squared bowls, softened corners, and consistent stroke weight, it aims for strong impact with a contemporary, playful character.
Figures follow the same squarish-round logic; the 0 is a rounded rectangle with an inset counter, and several numerals use flattened horizontals that enhance a modular, display-oriented feel. Spacing appears generous enough for headlines, while the dense interior spaces suggest avoiding very small sizes or low-contrast backgrounds.