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Free for Commercial Use

Wacky Invu 8 is a bold, very narrow, low contrast, upright, normal x-height font.

Keywords: posters, headlines, album covers, horror titles, halloween, gothic, spiky, sinister, playful, chaotic, thematic display, gothic flair, shock value, stylized blackletter, blackletter, angular, jagged, sharp serifs, tapered strokes.


Free for commercial use
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This typeface uses a blackletter-inspired skeleton pushed into a highly angular, jagged silhouette. Strokes are chunky and mostly monoline in feel, with frequent knife-like terminals, wedge notches, and sudden kinks that create a fractured rhythm. Counters tend to be small and irregular, and many glyphs show deliberate asymmetry and pointed interior cut-ins. The overall texture is dark and dense, with tight internal spacing and strong vertical emphasis despite the decorative breaks.

Best used for short, high-impact settings such as posters, display headlines, packaging accents, game or event titles, and entertainment graphics where a gothic/menacing tone is desired. It also suits band branding and album artwork, especially in darker genres, and works well for seasonal or spooky-themed materials when set large.

The letterforms read as mischievous and ominous at once—horror-adjacent, punkish, and intentionally unruly. Its sharp edges and erratic contours give it a hand-forged, occult-prop feel, while the exaggerated spikes add a cartoonish menace suited to theatrical or tongue-in-cheek themes.

The design appears intended as a display novelty face that riffs on blackletter while prioritizing character over readability. Its consistent use of spikes, wedges, and irregular cuts suggests a goal of creating an instantly recognizable, edgy texture for dramatic titling and thematic branding.

Uppercase and lowercase share the same aggressive, faceted detailing, keeping a consistent “shattered” motif across the set. Numerals follow the same pointed construction, maintaining the heavy, thorny color in mixed text. At smaller sizes the interior cuts and spikes may visually merge, so the design rewards larger setting and generous leading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸