Print Gyruv 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold, 'European Sans Pro' by Bülent Yüksel, 'CF Blast Gothic' by Fonts.GR, and 'Coben' by cretype (names referenced only for comparison).
Keywords: posters, headlines, packaging, event promos, apparel graphics, playful, sporty, retro, punchy, energetic, texture built-in, display impact, retro flavor, brand distinctiveness, handmade feel, stencil cuts, rounded terminals, oblique slant, compressed, bouncy baseline.
A compact, heavily weighted oblique face with a marker-like, hand-printed construction. Strokes are smooth and monoline in feel, with rounded terminals and frequent internal breaks that read as stencil cuts, creating rhythmic white notches through many letters and figures. Proportions are tall and condensed, with a lively, slightly irregular cadence that keeps forms feeling hand-made while remaining consistent across the set. Counters are small and shapes are simplified for impact, producing strong color in text and bold silhouettes at display sizes.
Best suited to short, high-impact copy such as posters, bold headlines, packaging callouts, event promotions, and apparel or sticker graphics. It also works well for retro-themed branding moments where a hand-printed, stencil-accented texture can carry the visual identity without additional decoration.
The overall tone is upbeat and extroverted, combining a retro sign-painting vibe with a sporty, poster-ready punch. The stencil-like interruptions add a mischievous, kinetic character that feels casual and attention-grabbing rather than formal or refined.
Likely designed to deliver a hand-drawn, brushy italic feel with built-in stencil breaks for instant texture and recognizability. The goal appears to be strong display performance—compact, bold shapes with a distinctive interrupted rhythm that stays consistent across uppercase, lowercase, and numerals.
The slanted, compressed build and frequent cut-ins make the texture visually busy, especially in long lines; it reads clearest when given generous tracking and used at medium-to-large sizes. Numerals and capitals carry the same cut rhythm, helping maintain a cohesive, branded look across mixed-case settings.