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Free for Commercial Use

Serif Normal Osku 1 is a regular weight, normal width, very high contrast, upright, normal x-height font visually similar to 'Kage' and 'Kage Pro' by Balibilly Design (names referenced only for comparison).

Keywords: headlines, editorial, magazines, branding, posters, luxury, dramatic, refined, fashion, display impact, luxury tone, editorial voice, modern elegance, didone, hairline, bracketless, sharp, crisp.


Free for commercial use
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A high-contrast serif with striking thick-to-hairline transitions and crisp, finely tapered serifs. Vertical stems carry most of the weight while horizontals and joins collapse into razor-thin hairlines, creating a bright, elegant rhythm. Curves are smooth and controlled, with tight apertures and compact internal spaces in letters like a, e, and s; terminals often finish in small, pointed beaks or teardrop-like forms. Uppercase proportions feel tall and stately, and the numerals echo the same calligraphic contrast with sculpted bowls and delicate entry strokes.

Best suited to display settings where its contrast can be appreciated: magazine headlines, pull quotes, fashion/beauty branding, upscale packaging, and poster typography. It can work for short text passages at generous sizes and comfortable leading, but its hairlines suggest avoiding very small sizes or low-resolution reproduction.

The overall tone is polished and high-end, leaning toward fashion and magazine aesthetics. Its extreme contrast and sharp finishing details feel theatrical and confident, projecting sophistication more than warmth. The texture on the page is bold yet airy, giving headlines a sense of glamour and authority.

The design appears intended to deliver a modern, high-fashion serif voice with pronounced contrast and refined finishing. It prioritizes dramatic silhouette, crisp detail, and an elegant page color for impactful titling and premium editorial use.

In the text sample, the font produces strong vertical striping and lively sparkle from the hairlines, especially around punctuation and diagonals. Some glyphs show distinctive swash-like cues—such as the curled J and the Q’s descending tail—adding a slightly ornamental flair while remaining fundamentally formal and structured.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸