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Free for Commercial Use

Stencil Elzi 4 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Ciutadella Display' by Emtype Foundry, 'ITC Franklin' by ITC, 'Latino Gothic' by Latinotype, 'Helvetica Now' by Monotype, 'NeoGram' by The Northern Block, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, stickers, industrial, utilitarian, rugged, commanding, tactical, stenciled marking, gritty texture, impact display, industrial labeling, blocky, angular, cut-out, distressed, high-impact.


Free for commercial use
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A heavy, block-based stencil with chunky proportions and compact counters. The letterforms are built from broad verticals and blunt terminals, with consistent stencil breaks that create clear bridges through bowls and stems. Edges are slightly irregular and chipped, giving the strokes a worn, cut-out feel while keeping the overall geometry stable and legible. Uppercase forms read strong and square; lowercase echoes the same mass and structure, producing a unified, poster-ready texture across lines.

Best suited for headlines, posters, and high-contrast signage where the bold mass and stencil cuts can read clearly at a distance. It also fits packaging, labels, and branding elements that want an industrial or tactical flavor, especially when used in short phrases or impactful callouts.

The font communicates an industrial, no-nonsense tone—like sprayed markings, crate labels, or equipment ID text. Its roughened edges add grit and urgency, while the disciplined stencil logic keeps it authoritative rather than playful. Overall it feels tough, functional, and assertive.

The design appears intended to emulate practical stencil lettering—optimized for fast marking and reproduction—while adding a worn, distressed surface to suggest age, use, or harsh environments. The goal is strong visibility and a recognizable, rugged texture rather than refined typographic nuance.

The stencil joins are prominent in rounded characters (such as C, O, Q, and 8), which creates distinctive internal rhythm and a repeating vertical-slit motif. In longer text the dense weight and frequent breaks form a strong pattern, making it better suited to short statements than small-size body copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸