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Free for Commercial Use

Sans Other Mydey 8 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Bango Pro' by JCFonts, 'Luckiest Guy Pro' by Stiggy & Sands, 'Remissis' by Typodermic, and 'Ambra Sans' by Zetafonts (names referenced only for comparison).

Keywords: posters, packaging, headlines, kids media, branding, playful, chunky, friendly, bouncy, quirky, playfulness, approachability, handmade feel, display impact, informal branding, rounded, wedge-cut, irregular, cartoonish, soft-edged.


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A heavy, soft-edged sans with rounded geometry and subtly irregular outlines that give each letter a hand-cut, slightly wobbly feel. Strokes are thick and largely monolinear, with corners often blunted or shaped into small wedge-like cuts rather than crisp right angles. Proportions are compact with a prominent x-height, open counters, and simplified forms; several glyphs show intentional asymmetry and gentle tilting of terminals that adds a lively rhythm. Numerals and capitals maintain the same chunky build, with broad bowls and sturdy stems designed to read as bold shapes rather than fine detail.

Best suited to display applications such as posters, packaging, short headlines, and bold branding moments where personality is more important than typographic neutrality. It can work for playful editorial callouts or titles, especially when set with generous spacing and ample size to let the chunky shapes breathe.

The overall tone is upbeat and informal, leaning toward a comic, kid-friendly personality. Its uneven, handmade energy feels approachable and humorous, with a bouncy rhythm that suggests motion and spontaneity rather than strict precision.

The design appears intended to deliver a bold, friendly sans voice with a deliberately handmade, slightly imperfect finish. Its simplified construction and rounded, wedge-cut details prioritize warmth and character, making it feel like a custom, fun-forward display face rather than a strict utilitarian text font.

The texture created by the slight irregularity becomes more noticeable in longer text, where the baseline and curves feel subtly animated. The design favors silhouette clarity and big counters, which helps it stay readable at display sizes while keeping a distinctive, crafted character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸