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Serif Forked/Spurred Sene 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice, 'OL Signpainter Titling' by Dennis Ortiz-Lopez, 'Hanley Pro' by District 62 Studio, 'Crostea' by Drizy Font, 'Arkais' by Logitype, and 'NS Philapost' by Novi Souldado (names referenced only for comparison).

Keywords: headlines, posters, packaging, book covers, editorial, vintage, storybook, friendly, classic, hearty, ornamental serif, retro flavor, display impact, warm readability, bracketed, spurred, softened, compact, rounded.


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A sturdy serif with full, rounded forms and gently bracketed serifs that often end in small forks or spurs. Strokes stay fairly even throughout, with broad curves and slightly squared-off counters that give letters a compact, punchy texture. Terminals frequently flare or notch, and several capitals show subtle swelling at joins, creating a carved, ornamental feel without becoming overly delicate. Overall spacing and rhythm read dense and cohesive, with a strong baseline presence and clear, weighty silhouettes.

Best suited to headlines, titles, and short blocks of text where its distinctive spurred serifs can be appreciated. It works well for book covers, editorial openers, packaging, and retro-leaning branding that benefits from a classic, crafted personality. In longer reading contexts, it’s likely strongest at larger text sizes where the ornamental terminals remain clear.

The tone is warm and nostalgic, combining traditional bookish authority with a playful, handcrafted edge. Its spurred terminals and bulbous curves suggest old-style signage and storybook typography, making the voice feel approachable rather than formal. The overall impression is confident and hearty, with a touch of whimsy.

The design appears intended to deliver a traditional serif foundation enhanced with decorative spurs and forked terminals for added personality. It prioritizes strong silhouettes and a consistent, weighty rhythm, aiming for a vintage display flavor that still feels familiar and readable.

Uppercase shapes are particularly robust, with broad shoulders and pronounced serif activity that becomes a defining texture at display sizes. Lowercase remains readable but retains the same distinctive spur-and-fork terminal behavior, which can add character in headings and short passages. Numerals match the heavy, rounded construction and maintain strong visual consistency with the letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸