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Free for Commercial Use

Inline Reri 5 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, album art, branding, event flyers, experimental, playful, quirky, edgy, artsy, attention grabbing, visual texture, display impact, letterplay, mixed styles, cut-out, stenciled, outline, decorative.


Free for commercial use
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A decorative Latin with a deliberately mixed construction: some glyphs appear as thin outlines, others as solid forms with carved voids and irregular cut-ins. Strokes are generally geometric with rounded bowls and straightforward terminals, but many characters include inset slashes, notches, and partial counters that create a fragmented, collaged look. Rhythm is intentionally uneven across the alphabet, with alternating outline and filled letters and occasional “bitten” interiors; curves stay smooth while the internal cut-outs introduce sharp, angular accents.

Best suited to display typography where texture and contrast are part of the message—posters, headlines, album covers, event promotions, and bold brand moments. It can also work for short pull quotes or logo-like wordmarks, where the alternating outline/filled behavior becomes a recognizable motif.

The overall tone is experimental and mischievous, balancing clean, modern shapes with disruptive edits that feel handmade or hacked. It reads as graphic and attention-seeking, with a playful unpredictability that adds tension and energy to short phrases.

The design appears intended to hybridize outline lettering with disrupted, cut-out fills to create a high-impact, collage-like display voice. By mixing treatments across glyphs, it prioritizes visual rhythm and surprise over uniformity, aiming for memorable, graphic word shapes.

The sample text shows that the alternating treatments can create a strong black-and-white pattern on the line, especially where several filled letters cluster together. Outline capitals stay airy and open, while the heavier lowercase and numerals provide punchy anchors; the carved details can become the primary visual feature at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸