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Free for Commercial Use

Slab Normal Otfa 8 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'FF Kievit Slab' and 'FF Milo Slab' by FontFont, 'Rooney' by Jan Fromm, 'Amasis' by Monotype, and 'Adelle' and 'LFT Etica Sheriff' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, editorial, sturdy, confident, friendly, vintage, headline-ready, impact, durability, clarity, approachability, utility, blocky, soft corners, bracketed serifs, compact apertures, high weight.


Free for commercial use
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A heavy, slab-serif design with broad proportions, dense color, and softly rounded corners that keep the weight from feeling harsh. Serifs are prominent and mostly rectangular with gentle bracketing, creating a stable, planted rhythm across lines. Counters are compact and apertures tend to be fairly closed, reinforcing the strong, poster-like texture. The figures and capitals read as solid, simple forms with consistent stroke weight and clear vertical emphasis.

Best suited to headlines, posters, signage, and packaging where strong presence and quick recognition are needed. It can also work for bold editorial callouts and short blocks of text, especially when generous leading and sizing are used to maintain counter clarity.

The overall tone is robust and no-nonsense, with a warm, approachable industrial feel. It evokes classic display slabs used for signage and bold editorial titling, balancing authority with a slightly playful softness from the rounded terminals and corners.

The font appears intended as a dependable, high-impact slab serif for everyday display use—built to hold up in large, bold settings while maintaining a friendly, familiar voice. Its simplified geometry and sturdy serifs suggest a practical workhorse approach aimed at legibility and visual authority.

At text sizes the heavy weight produces a tight, dark paragraph color, while at larger sizes the chunky serifs and rounded joins become a distinctive graphic feature. The design feels optimized for impact and clarity rather than delicate detail, and the spacing appears tuned for bold setting without fragile joins.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸