Sans Superellipse Imrav 5 is a very bold, very wide, medium contrast, italic, tall x-height font.
Keywords: headlines, logos, sports branding, gaming, posters, futuristic, tech, sporty, aggressive, industrial, speed, impact, modernity, tech tone, branding, oblique, extended, rounded, squared, streamlined.
A heavy, forward-slanted sans with extended proportions and a superelliptical construction: rounded-rectangle counters, softened corners, and broad, flat stroke terminals. The forms feel engineered and modular, with consistent radius treatment across curves and a pronounced rightward motion from the oblique angle. Counters are relatively tight in places (notably in rounded letters and numerals), while horizontal elements are long and stable, creating a wide, aerodynamic texture. The lowercase shows simplified, geometric joins and compact apertures, keeping the overall silhouette chunky and continuous in text.
Best suited to short, high-impact settings such as headlines, posters, product branding, esports/gaming titles, and technology-themed graphics where a fast, mechanical voice is desired. It can work for brief callouts or UI-style labels at larger sizes, but the tight counters and strong slant favor display use over extended small-size reading.
The tone is fast, modern, and assertive—evoking motorsport graphics, sci‑fi interfaces, and performance branding. Its slant and squared-round geometry read as energetic and tactical rather than friendly or classical, giving headlines a sense of momentum and impact.
The design appears intended to deliver a streamlined, performance-oriented sans built from rounded-rectangular geometry, combining punchy weight with a sense of speed. The consistent corner radii and oblique stance suggest an emphasis on modern industrial clarity and bold branding presence.
Round characters like O/Q/0 lean strongly toward rounded-square shapes, reinforcing a UI/industrial feel. Numerals are similarly engineered, with the 0 reading as a rounded rectangle and other figures using angled cuts and long horizontals for speed. Spacing appears tuned for display: dense internal shapes paired with wide overall set-width produce a bold, high-presence line.