Sans Superellipse Onbas 11 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Mercurial' by Grype, and 'Magistral' by ParaType (names referenced only for comparison).
Keywords: headlines, ui labels, signage, posters, branding, techy, modern, robust, utilitarian, friendly, modernize, soften geometry, maximize clarity, project strength, rounded, square-ish, compact, open counters, geometric.
A heavy, geometric sans with squared, superellipse-style curves and consistently rounded corners throughout. Strokes stay even and monoline, giving the forms a solid, engineered feel, while counters and apertures remain fairly open for clarity. Proportions are compact with sturdy verticals and a slightly boxy rhythm; terminals tend to end in clean horizontal or vertical cuts softened by rounding. Figures echo the same rounded-rectangle construction, with simple, high-contrast silhouettes that read clearly at display sizes.
Best suited to headlines and short text where its sturdy geometry and rounded-square curves become a recognizable voice. It can work well for UI labels, navigation, and product interfaces that want a modern, approachable tech aesthetic, and it also fits signage and wayfinding where bold, simple silhouettes help legibility from a distance.
The overall tone is contemporary and practical, with a subtle friendliness coming from the softened corners. It suggests a tech-forward, industrial sensibility—confident and matter-of-fact—without feeling sharp or aggressive. The square-rounded geometry gives it a slightly futuristic, interface-like character.
The design appears aimed at combining the efficiency of geometric construction with the warmth of rounded corners, producing a contemporary sans that feels both engineered and approachable. Its consistent stroke and squarish curvature suggest an intention to be distinctive in display use while remaining clean and functional for practical typography.
Curved letters (like C, O, S) emphasize squarish curvature rather than perfect circles, creating a distinctive “soft box” profile. Straight-sided shapes and broad joins contribute to a stable, low-noise texture in paragraphs, while the strong weight and compact inner spaces make it most comfortable when given adequate size and spacing.