Font Hero

Free for Commercial Use

Solid Otdu 13 is a very bold, narrow, low contrast, reverse italic, tall x-height font visually similar to 'Bratsy Script' by Figuree Studio and 'New Roshelyn Script' by Get Studio (names referenced only for comparison).

Keywords: posters, headlines, album art, comedy, streetwear, playful, rowdy, cartoonish, grungy, handmade, maximum impact, quirky display, handmade texture, cartoon energy, rebellious tone, blobby, chunky, irregular, tilted, inked.


Free for commercial use
Customize the font name

This typeface is built from dense, solid silhouettes with collapsed counters, producing heavy, blob-like letterforms. The outlines are intentionally irregular, mixing rounded masses with abrupt angular cuts and flattened corners, and the whole design leans backward with an emphatic slant. Proportions are compact and condensed, with short extenders and a tall lowercase body that makes the texture feel tightly packed. In text, letters crowd and overlap visually, creating a dark, continuous rhythm where word shapes matter more than individual character detail.

Best suited for short, high-impact settings such as posters, splashy headlines, album/cover art, event graphics, and playful branding where a bold silhouette can carry the message. It can work well for humorous or edgy packaging and merchandise graphics, but is less appropriate for body text or information-dense layouts.

The overall tone is mischievous and loud—more like cut-paper or thick marker shapes than conventional typography. Its rough, uneven edges and backward tilt give it a kinetic, rebellious energy that reads as humorous and deliberately messy rather than refined.

The design appears intended to prioritize attitude and silhouette over legibility, delivering a packed, inky texture with a deliberately irregular, handmade finish. The backward lean and chunky shapes suggest a display font meant to feel animated and attention-grabbing in large-scale applications.

Because interior openings are largely filled, character differentiation relies on outer contours and notches; this makes it strongest at large sizes. The slant and heavy massing create a strong directional pull across lines, amplifying a sense of motion and impact.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸