Sans Superellipse Kira 6 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: ui labels, app branding, tech packaging, headlines, posters, futuristic, tech, sleek, playful, ui-inspired, modernization, brand voice, geometric system, rounded, geometric, soft corners, monolinear feel, compact curves.
A geometric sans built from rounded-rectangle and superellipse-like curves, with smoothly blunted terminals and a consistent, engineered rhythm. Counters are generally squarish with generous rounding, and many letters lean on modular construction (notably the arches and bowls), giving the set a cohesive, systematized feel. Straight strokes stay crisp while curves flatten slightly at their extremes, producing a polished, contemporary silhouette; the numerals mirror this with boxy, rounded forms and clean, open counters.
Well suited to interface typography, product UI labels, and tech or consumer-electronics branding where a clean, rounded geometry feels at home. It also works effectively for short headlines, posters, and packaging where the distinctive superellipse forms can carry personality; for extended text, it will be most comfortable at sizes where the rounded-square counters remain clearly distinguishable.
The overall tone reads modern and tech-forward, with a friendly softness from the rounded geometry. Its modular shapes and smooth corners suggest digital interfaces and product design, while a few quirky details (like distinctive joins and simplified bowls) add a light, playful character rather than a purely utilitarian one.
The font appears designed to translate the visual language of rounded-rectangle UI components into a cohesive alphabet: modern, approachable, and modular. Its consistent corner treatment and constructed curves prioritize a recognizable silhouette and brandable texture over traditional grotesque neutrality.
The design emphasizes rounded corners over circularity, which makes letters like C, O, and G feel more like softened rectangles than classic geometric rounds. Several glyphs show intentionally simplified, stylized structures (e.g., compact t, single-storey a, and squared-off bowls), reinforcing a constructed, display-oriented personality.