Groovy Diha 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Monley' by Flawlessandco (names referenced only for comparison).
Keywords: headlines, posters, packaging, album art, event promo, playful, groovy, retro, whimsical, friendly, retro flair, bold impact, cheerful branding, novelty display, blobby, rounded, soft terminals, bulbous, organic.
A very heavy, rounded display face built from blobby, organic strokes with soft terminals and subtly uneven contours. Counters are small and often teardrop-like, giving the letters a stuffed, inflated silhouette. Curves dominate, with minimal sharp corners; verticals and bowls swell and pinch in places, creating a lively rhythm and a slightly irregular, hand-shaped feel. Spacing reads relatively open for such dense forms, supporting the bold shapes without collapsing interiors, while numeral forms follow the same rounded, inflated construction for a consistent set.
Best suited to short, bold statements such as posters, headlines, event promotions, album art, and playful packaging where its chunky silhouettes can take center stage. It also works well for logos or wordmarks in fun, retro-leaning brands, and for kids or novelty-oriented graphics where a friendly, attention-grabbing voice is needed.
The overall tone is cheerful and nostalgic, leaning into a 60s–70s poster sensibility with a bubbly, psychedelic warmth. Its soft, swollen shapes feel approachable and comedic rather than formal, projecting a lighthearted, party-like energy.
This design appears intended to deliver maximum personality through inflated strokes, soft corners, and subtly irregular contours, creating a memorable, groovy display voice that stays readable while feeling hand-shaped and exuberant.
At text sizes the heavy weight and small counters can make long passages feel dense, but the distinctive silhouette keeps words visually memorable. The lively stroke swelling gives the alphabet a rhythmic, slightly wiggly texture that reads as intentional character rather than strict geometric precision.