Sans Rounded Eslu 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Flexo Soft' by Durotype, 'Nusara' by Locomotype, 'Connector' by Roman Cernohous Typotime, 'Core Gothic M' and 'Core Sans M' by S-Core, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: branding, packaging, posters, signage, titles, friendly, playful, soft, approachable, clean, approachability, modernity, impact, clarity, simplicity, rounded, chunky, geometric, smooth, compact.
A heavy, rounded sans with generously curved corners and fully softened terminals throughout. Strokes are consistently thick with minimal modulation, producing a smooth, even color on the line. Counters tend to be compact and rounded-square, and many joins are gently eased rather than sharp, giving letters a molded, rubbery feel. Overall proportions read slightly compact, with sturdy verticals and broad curves that keep forms simple and highly legible at display sizes.
Well-suited for branding systems, packaging, and promotional design where a friendly, modern voice is needed. The sturdy forms and rounded details also work well for signage, headlines, app splash screens, and short UI labels where clarity and warmth matter. It’s especially effective in larger sizes where the rounded geometry and compact counters read as intentional style.
The font conveys a warm, friendly tone with a playful, contemporary character. Its rounded construction softens the weight, making it feel approachable and informal rather than technical or severe. The overall rhythm suggests upbeat branding and communication meant to feel welcoming and easygoing.
The design appears intended to combine strong presence with a softened, approachable personality. By pairing thick, even strokes with rounded terminals and simplified shapes, it aims to deliver high-impact display typography that remains inviting and easy to read.
Distinctive rounded-square geometry shows up in many bowls and apertures, lending a cohesive, almost “pill-shaped” construction across the set. Diacritics aren’t shown, but the base Latin set in the sample demonstrates consistent spacing and a solid, poster-ready texture. Numerals share the same softened, chunky build, staying clear and stable alongside the letters.