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Free for Commercial Use

Solid Emba 1 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Chankfurter' by Chank, 'Boodle' by Ckhans Fonts, 'Pantograph' by Colophon Foundry, 'Ciutadella Rounded' by Emtype Foundry, 'Brightly Stories' by Graphicxell, 'Signal' by URW Type Foundry, and 'Aristotelica Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids, stickers, playful, chunky, friendly, cartoonish, quirky, graphic impact, playfulness, softness, novelty, rounded, soft corners, puffy, bubbly, blunt terminals.


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A heavy, rounded display face with thick, monoline strokes and softened corners throughout. Letterforms are built from compact, puffy shapes with blunt terminals and frequent “filled” counters—several glyphs collapse interior openings into solid masses, emphasizing silhouette over internal detail. Curves are broad and smooth, diagonals are stout, and joins feel inflated rather than sharp, producing a dense, high-ink texture. Spacing appears generous and the overall rhythm is bouncy, with slight irregularity in how forms resolve at terminals and joints.

Best suited for short, bold applications where silhouette carries the message: headlines, posters, playful packaging, labels, stickers, and logo-like wordmarks. It can also work for kids-oriented materials and informal signage where a soft, chunky voice is desired.

The font reads as playful and humorous, with a toy-like, candy-coated presence. Its chunky silhouettes and occluded interiors push it toward a cartoon and novelty tone, suggesting lightheartedness more than precision or seriousness.

The design appears intended to maximize visual weight and friendliness through rounded geometry and simplified interiors, creating a solid, stamp-like texture that holds up as a bold graphic element. It prioritizes characterful silhouettes and a fun tone over conventional readability in extended text.

At text sizes the collapsed counters create strong dark spots (notably in rounded letters and some numerals), which can reduce character differentiation but increases graphic impact. The numerals share the same bulbous construction and feel especially suited to large, attention-grabbing settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸