Sans Superellipse Feraz 5 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'CF Blast Gothic' by Fonts.GR, 'Cairoli Classic' and 'Cairoli Now' by Italiantype, 'Early Edition JNL' by Jeff Levine, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, apparel, sporty, urgent, assertive, dynamic, industrial, compact impact, speed emphasis, modern branding, display clarity, space saving, condensed, slanted, rounded, blocky, clean.
A highly condensed, forward-slanted sans with heavy, uniform strokes and rounded-rectangle construction. Curves are squared-off into soft corners, giving bowls and counters a compact, superelliptical feel, while terminals are mostly blunt and clean. The rhythm is tight and vertical, with narrow apertures and compact spacing that produce a dense, high-impact text color. Lowercase forms read large and sturdy, and the figures are similarly tall and compact, keeping the overall texture consistent across mixed content.
Best suited to headlines, posters, and short, emphatic messaging where compact width and strong slant help maximize impact. It also fits sports and performance branding, product packaging, apparel graphics, and any layout needing a condensed, energetic voice that holds up well at large sizes.
The font conveys speed and force through its strong slant, compressed proportions, and muscular presence. Its rounded-but-blocky geometry feels modern and engineered, pairing a sporty, action-oriented tone with a utilitarian, no-nonsense attitude.
The design appears intended to deliver maximum visual punch in limited horizontal space while maintaining a smooth, contemporary feel. Its superelliptical rounding and uniform weight suggest a focus on bold, fast branding and display typography that remains clean and consistent across letters and numerals.
The slant and condensed fit emphasize forward motion, and the rounded corners keep the weight from feeling harsh or brittle at display sizes. In longer lines, the dense texture and narrow openings can feel intense, so it benefits from generous tracking and ample line spacing when used for text.