Script Tymuh 3 is a light, narrow, very high contrast, italic, very short x-height font.
Keywords: invitations, wedding, branding, packaging, headlines, elegant, romantic, formal, classic, refined, calligraphic feel, formal display, premium tone, ornate initials, signature style, calligraphic, swash, looping, flourished, delicate.
A formal script with a pronounced slant, hairline entry strokes, and sharp, pointed terminals contrasted by fuller downstrokes. Letterforms are built from looping, calligraphic motions with frequent ascenders and descenders that extend well beyond the x-height, giving the design a tall, airy texture. Capitals are ornate and varied, often featuring large initial loops and long finishing strokes; lowercase forms remain compact with tight counters and tapered joins. Overall spacing feels open and rhythmic, with strokes that ebb from thin to thick in a consistent, pen-like pattern.
Well suited to short-to-medium settings where elegance is the priority: wedding materials, formal invitations, certificates, luxury branding, beauty or boutique packaging, and editorial headlines. It performs best when given generous size and breathing room, allowing the flourishes and fine hairlines to remain clear.
The font conveys a polished, ceremonial tone—graceful and expressive without becoming playful. Its sweeping curves and high-contrast stroke behavior evoke classic invitation lettering and traditional calligraphy, lending a sense of romance and prestige. In longer passages it reads as decorative and atmospheric, emphasizing mood over neutrality.
Designed to emulate refined pointed-pen calligraphy in a consistent, font-ready form, prioritizing graceful movement, dramatic capitals, and a delicate texture. The overall construction aims for a premium, occasion-driven look that elevates names, titles, and signature-style phrases.
The numerals follow the same calligraphic logic as the letters, using tapered strokes and occasional curls that make them feel integrated rather than utilitarian. Several uppercase shapes are highly stylized, so visual emphasis tends to concentrate at word starts and around prominent ascenders/descenders.