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Free for Commercial Use

Solid Jahi 3 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Procerus' by Artegra, 'Brecksville' by OzType., 'Bugleboy' by Stiggy & Sands, 'Monopol' by Suitcase Type Foundry, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logotypes, signage, industrial, retro, stencil-like, assertive, mechanical, high impact, space saving, graphic texture, brand mark, signage look, condensed, blocky, angular, cropped, geometric.


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A condensed, heavy display face built from tall, blocky forms with selectively carved-out notches and slits that act like counters. Curves are simplified into bulging vertical ovals and squared-off terminals, while many joins and apertures are flattened or interrupted, creating a rhythm of vertical mass punctuated by small horizontal cuts. Strokes read mostly monolinear, but the overall silhouette alternates between rounded and rectilinear shapes, giving the alphabet a slightly irregular, engineered feel. Numerals follow the same compressed, cut-in construction for a consistent, poster-forward texture.

Best suited to large-size display work where its carved counters and condensed silhouettes can read clearly—posters, striking headlines, packaging panels, bold logotypes, and short signage copy. It works especially well when you want a dense, high-contrast block of text with a distinctive industrial texture.

The font conveys a tough, industrial attitude with a retro, engineered flavor. Its carved openings and compressed proportions feel utilitarian and mechanical, suggesting signage, labels, and punchy headline typography rather than refined reading.

The design appears intended to maximize impact in minimal horizontal space while introducing a signature look through deliberately reduced counters and cut-in details. Its construction prioritizes silhouette and texture over conventional readability, aiming for a recognizable, branded display voice.

The collapsed interior spaces and narrow apertures make small sizes and dense settings prone to filling in, but at larger sizes the distinctive cut shapes become a defining graphic motif. Spacing appears tight and the vertical emphasis is strong, producing a compact, high-impact line color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸