Sans Other Mymis 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Fattty' by Drawwwn, 'Akkordeon' by Emtype Foundry, 'Rhode' by Font Bureau, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Palo' by TypeUnion, and 'Herokid' by W Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, kids media, playful, chunky, friendly, retro, cartoonish, playful display, friendly branding, retro poster, rounded, soft corners, blobby, bouncy, compact counters.
A heavy, rounded sans with soft corners, bulbous strokes, and an overall “cut-out” silhouette. Letterforms show deliberate irregularity: strokes swell and taper subtly, terminals are blunt, and interior counters are small and often teardrop-like, producing strong ink-trap-like notches and tight openings in places. The rhythm is lively rather than geometric, with slightly inconsistent widths and a hand-shaped feel, while remaining clean-edged and upright. Numerals are equally stout and simplified, matching the alphabet’s chunky proportions and compact counters.
Best suited to short, high-impact settings such as posters, headlines, logos, packaging, and product naming where its bold, rounded shapes can read clearly. It’s a strong fit for playful brands, children’s content, event promotions, and attention-grabbing signage, especially when set with generous tracking and line spacing.
The tone is upbeat and approachable, with a toy-like, comedic warmth. Its chunky massing and rounded shapes read as fun and informal, evoking retro signage and cartoon titling rather than serious editorial typography.
The design appears intended as a characterful display sans that prioritizes warmth and personality over strict regularity. Its softened corners, compact counters, and slightly wobbly silhouette aim to create an immediate, friendly presence with a retro-cartoon flavor.
At text sizes the small counters and tight apertures can close up, making it most comfortable as a display face. The lowercase has a distinctly single-storey, simplified construction that reinforces the casual, friendly voice.