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Free for Commercial Use

Blackletter Fige 2 is a bold, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, book covers, medieval, gothic, ceremonial, authoritative, dramatic, historic tone, display impact, ornamental texture, traditional feel, angular, fractured, calligraphic, blackstroke, ornate.


Free for commercial use
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A sharply constructed blackletter with broken strokes and compact internal counters, built from pointed terminals and faceted curves. The letterforms show strong vertical emphasis with frequent diamond-like joins, wedge-shaped serifs, and crisp cut-ins that create a rhythmic, chiseled texture. Capitals are decorative yet controlled, with pronounced spurs and angular bowls, while lowercase forms keep narrow apertures and consistent stroke modulation that reads like a broad-nib pen translated into solid shapes. Numerals and punctuation follow the same faceted logic, producing an even, dark typographic color in setting.

This face performs best in display contexts such as posters, headlines, mastheads, logos, and packaging where its dense blackletter texture can be appreciated. It is well suited to historical, fantasy, metal, or craft-themed branding and cover design, and works effectively for short statements, certificates, and ornamental titling rather than extended small-size text.

The overall tone is historic and ceremonial, evoking manuscripts, heraldry, and formal proclamations. Its sharp angles and dense texture feel stern and authoritative, with a dramatic, old-world presence suited to high-impact titling.

The design appears intended to deliver a classic blackletter voice with crisp, carved angles and consistent calligraphic modulation, balancing ornamental tradition with a relatively uniform, sturdy construction for impactful display setting.

In paragraph-like samples the texture is notably continuous and dark, with distinctive word shapes driven by tall verticals and broken curves; legibility benefits from generous size and spacing. Uppercase forms carry the most ornament and visual weight, making them especially effective for initials and short runs.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸