Sans Normal Ohlep 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hanley Pro' by District 62 Studio, 'Mollen' by Eko Bimantara, 'Leto Sans' by Glen Jan, 'Evolved' by Hemphill Type, 'EquipCondensed' by Hoftype, and 'Branding SF' by Latinotype (names referenced only for comparison).
Keywords: posters, packaging, headlines, logos, kids media, playful, friendly, retro, chunky, bouncy, approachability, display impact, brand friendliness, retro charm, rounded, soft corners, wide apertures, cartoonish, informal.
A heavy, rounded sans with soft terminals and low-contrast strokes throughout. The forms are built from broad curves and sturdy verticals, with generous counters and open apertures that keep letters readable at larger sizes. Subtle irregularities and slightly quirky geometry (notably in diagonals and bowls) create a bouncy rhythm rather than strict mechanical uniformity. Uppercase shapes feel robust and compact, while lowercase maintains simple, single-storey constructions where expected, reinforcing an uncomplicated, approachable texture.
Best suited for headlines, posters, packaging, and logo wordmarks where a warm, high-impact presence is needed. It also works well for short promotional copy, signage, and kids or entertainment-oriented graphics, especially when the goal is friendliness and immediacy rather than long-form reading.
The overall tone is cheerful and informal, with a mild retro and hand-cut poster feel. Its chunky silhouettes and rounded joins give it a welcoming, kid-friendly personality, leaning more toward fun display energy than sober corporate neutrality.
The design appears intended to deliver a bold, approachable display voice using rounded, simplified shapes and slightly playful proportions. It prioritizes strong silhouette recognition and a friendly cadence, making it effective for branding and attention-grabbing typographic moments.
The numerals match the letterforms with similarly round construction and sturdy weight, reading clearly in isolation and in text. The punctuation shown (period, apostrophe) appears straightforward and heavy enough to hold up next to the letters, supporting short bursts of set text without looking anemic.