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Sans Faceted Ufme 2 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to '403 Quzie' by 403TF, 'Gulkit Miski' by Denustudio, 'Metro Block' by Ghozai Studio, 'Odradeck' by Harvester Type, 'JHC Genetic' by Jehoo Creative, 'Fixture' by Sudtipos, 'Dohrma' by The Northern Block, and 'Motte' by TypeClassHeroes (names referenced only for comparison).

Keywords: sports branding, headlines, posters, packaging, logos, aggressive, dynamic, industrial, sporty, impactful, impact, speed, toughness, space saving, display, slanted, faceted, angular, condensed, blocky.


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A heavy, slanted sans with sharply faceted contours and clipped corners that replace curves with planar angles. Strokes are consistently thick with minimal internal detailing, producing compact counters and a strong, black silhouette. Proportions are condensed and upright in structure but driven forward by the pronounced oblique angle; terminals tend to be sheared, giving a chiseled, machined feel. Lowercase forms are tall and sturdy with short ascenders/descenders relative to the dominant x-height, and numerals echo the same cut, geometric construction for a unified texture in text.

Well suited to short, high-impact settings such as sports identities, event or film titling, posters, and bold packaging callouts. It can also work for logos and wordmarks where a condensed, forward-leaning, hard-edged silhouette helps convey energy and toughness.

The overall tone is forceful and kinetic, with a speed-and-impact attitude that reads as competitive and industrial. Its sharp facets and forward lean suggest motion, intensity, and a no-nonsense, performance-oriented voice rather than warmth or delicacy.

The design appears intended to deliver maximum punch in limited horizontal space, using aggressive slant and faceted geometry to create a fast, mechanical aesthetic. Its simplified, low-detail construction prioritizes legibility at large sizes and a strong, cohesive texture across letters and numerals.

At display sizes the faceting becomes a defining stylistic feature, while in longer lines the dense weight and tight apertures create a strong, uniform typographic color. The design’s angular joins and sheared terminals give it a distinctive stencil-like bite without relying on ornament.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸