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Free for Commercial Use

Solid Esdi 8 is a very bold, narrow, low contrast, reverse italic, tall x-height font visually similar to 'Passiflora' by Compañía Tipográfica de Chile, 'Hook Eyes' by HIRO.std, 'Burford Rustic' by Kimmy Design, 'Cheapsman' by Typetemp Studio, and 'Matryoshka' by Volcano Type (names referenced only for comparison).

Keywords: posters, packaging, kids media, event promos, stickers, playful, goopy, cartoon, humor, impact, character, handmade, rounded, soft, bubbly, blobby, chunky.


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A heavy, soft-edged display face built from bulbous, irregular strokes with fully filled counters and minimal internal whitespace. The forms lean subtly backward and rely on rounded terminals, swollen joints, and slightly inconsistent widths that create a lively, hand-shaped silhouette. Curves dominate and corners are largely avoided, producing compact, inky letterforms with a distinctly organic rhythm and an uneven baseline feel in running text.

Best suited to short, high-impact text where shape and texture matter more than fine legibility—posters, playful branding, candy or toy packaging, social graphics, and large signage. It can also work for logos or wordmarks that want a squishy, cartoon-heavy presence, especially when set large with generous spacing.

The overall tone is goofy and mischievous, like wet ink, slime, or inflated rubber shapes. Its dense black color and collapsing interiors make it feel bold and attention-grabbing, while the wobble and soft curves keep it friendly rather than aggressive. The backward slant adds a quirky, off-kilter energy that reads as humorous and informal.

This design appears intended to mimic a blobby, ink-filled, cartoon display style where counters are intentionally collapsed to create solid, stamp-like shapes. The slight backward lean and irregular swelling suggest an aim for humor and handcrafted spontaneity rather than typographic neutrality.

Because counters are closed, differentiation relies on outer silhouettes; letters like B/D/O/P/Q and a/e/o can visually converge at smaller sizes. Spacing and rhythm feel intentionally lumpy, which enhances character in headlines but can reduce clarity in longer passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸