Print Tukog 2 is a bold, narrow, medium contrast, italic, short x-height font.
Keywords: posters, packaging, headlines, quotes, children's media, playful, friendly, casual, retro, handmade, handmade warmth, casual emphasis, expressive display, informal branding, brushy, rounded, soft terminals, bouncy, quirky.
A lively, right-leaning print style with thick, brush-like strokes and gently modulated contrast. Letterforms are narrow and compact, with rounded corners, softened terminals, and occasional bulb-like stroke endings that suggest a felt-tip or brush marker. The rhythm is uneven in an intentional, hand-drawn way—counters and joins vary slightly, and some curves overshoot for a bouncy silhouette. Uppercase forms are simplified and sturdy, while lowercase adds more personality through looped shapes and teardrop-like terminals; numerals follow the same informal, slightly condensed build.
Works well for posters, packaging, product labels, and social graphics where a casual handwritten voice is desired. It suits headlines, short blurbs, and quote treatments, especially when aiming for a friendly, crafty, or slightly nostalgic feel. In longer text, larger sizes and looser line spacing will help maintain clarity.
The overall tone is warm, informal, and upbeat, with a handmade charm that feels approachable rather than polished. Its slanted stance and chunky strokes give it energy and a light retro craft vibe, suitable for messaging that wants to feel personal and friendly.
The design appears intended to emulate quick, confident marker lettering in a consistent printable font, prioritizing warmth and personality over strict geometric regularity. Its condensed, energetic forms and soft terminals are geared toward expressive display typography that still remains readable.
Spacing looks relatively tight and the heavy strokes can close up smaller counters at reduced sizes, so it reads best when given a bit of breathing room. The distinctive terminals and playful proportions become a key texture in text, making it more suited to short phrases than dense paragraphs.