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Free for Commercial Use

Cursive Jerus 5 is a very light, normal width, medium contrast, italic, very short x-height font.

Keywords: wedding, invitations, greeting cards, branding, signatures, airy, romantic, casual, elegant, delicate, handwritten elegance, personal tone, decorative display, signature style, stationery, monoline, looping, flourished, slanted, open counters.


Free for commercial use
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A delicate, monoline script with a consistent rightward slant and generous white space. Strokes are thin and smooth with subtle modulation from pen pressure, producing crisp hairlines and soft, rounded joins. Letterforms are largely connected in running text, with occasional lifted strokes and long, sweeping entry/exit terminals that add momentum. Proportions are tall and narrow, with small lowercase bodies, high ascenders, and long descenders; capitals are larger and more elaborate, often featuring extended swashes and open, oval bowls. Numerals follow the same light, handwritten rhythm, staying simple and lightly curved.

Well suited for wedding collateral, invitations, greeting cards, and other occasion-driven stationery where a personal handwritten feel is desired. It also works nicely for boutique branding touchpoints (logos, labels, social graphics) and signature-style accents paired with a simpler text face. Use larger sizes for best legibility, especially in longer passages.

The overall tone feels airy and intimate, like quick, neat handwriting dressed up with graceful flourishes. It reads as friendly and personal while still leaning refined due to its clean curves and restrained stroke weight. The slant and extended terminals give it a gently romantic, expressive character without becoming overly ornate.

The design appears intended to mimic refined cursive handwriting with a light, pen-drawn texture and smooth, continuous rhythm. Emphasis is placed on elegant motion—long terminals, tall proportions, and expressive capitals—creating a script that feels personal and decorative for display-forward applications.

Spacing appears loose and breathable, which helps preserve clarity despite the fine strokes. Several capitals and a few lowercase forms use elongated cross-strokes and looped shapes that can create visual overlaps at tighter settings, so it benefits from moderate tracking and line spacing. The very small lowercase proportions mean it performs best when given enough size and contrast against the background.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸