Sans Superellipse Jusi 1 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Avionic' by Grype (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, sporty, assertive, mechanical, retro, impact, uniformity, modularity, signage, rounded corners, squared curves, compact, blocky, stencil-like counters.
A heavy, compact sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and even, with squared-off terminals and superelliptical bowls that create a strong, modular rhythm. Counters tend to be tight and rectilinear, often appearing as small rounded slots, which boosts impact but reduces openness at smaller sizes. Uppercase forms are tall and sturdy; lowercase follows the same blocky logic with simplified, geometric joins and a single-storey a. Numerals and capitals share the same squared-curve architecture for a uniform, sign-like texture.
Best suited to headlines, posters, logos, and bold titling where mass and silhouette matter most. It can work well for sports branding, product packaging, and signage-style graphics that benefit from compact, high-impact letterforms. For longer text or small sizes, the tight counters and dense color are more likely to feel heavy, so it’s strongest when used large and with generous leading.
The tone is bold and no-nonsense, with an industrial, athletic energy. Its squared curves and tight apertures suggest machinery, uniforms, and utilitarian labeling, while the rounded corners keep it from feeling sharp or aggressive. Overall it reads as confident, loud, and built for attention-grabbing statements.
The letterforms appear designed to deliver maximum impact through a consistent rounded-rectangle geometry and tight, compact spacing. The intention seems to be a sturdy, contemporary display sans that feels engineered and uniform, prioritizing strong shapes and a controlled, modular look over delicate detail.
The design leans on repeated rounded-rectangle motifs across bowls and counters, giving it a cohesive, system-like feel. Letters with diagonal structure (like K, V, W, X) remain chunky and stable, preserving the same weight and presence as the more rectangular glyphs. Spacing in the sample appears tuned for dense, headline-like setting, where the dark texture becomes a deliberate stylistic feature.