Sans Faceted Myky 5 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, labels, industrial, rugged, utilitarian, mechanical, retro, texture, toughness, impact, machined feel, display voice, chunky, blocky, angular, beveled, chamfered edges.
A heavy, blocky sans with squared geometry and subtly faceted corners that replace smooth curves with planar joins. Strokes are uniform and dense, with generous counters where applicable, and terminals tend to end in flat cuts or small chamfers. Many glyphs include deliberate interior nicks and bite-like notches, creating a distressed, stamped texture without relying on fine detail. Overall spacing and proportions feel sturdy and compact, with clear, high-impact silhouettes in both uppercase and lowercase.
Best suited to display settings where strong silhouettes and texture can carry the message—headlines, posters, branding marks, packaging, and label systems. It can also work for signage-style graphics and short UI/feature callouts when a rugged industrial voice is desired, while extended small text may lose some of the intentional internal chipping.
The font conveys an industrial, hard-wearing tone—like stenciled or machined lettering that has picked up wear over time. Its faceted contours and rugged texture suggest toughness and practicality, with a slight retro hardware or workshop character. The overall impression is assertive and no-nonsense rather than refined.
The design appears intended to merge a straightforward sans foundation with faceted shaping and built-in wear, producing a sturdy display face that feels manufactured and slightly distressed. Its consistent angularization and chiseled notches suggest a goal of evoking stamped, cut, or cast lettering while keeping forms legible and punchy.
Diagonal elements and rounded forms are consistently simplified into angular segments, giving a carved or cut-metal feel across letters and numerals. The distressing appears integrated into the letterforms (small chips and voids), so large sizes emphasize texture while smaller sizes read more as a roughened edge.