Sans Faceted Omfo 10 is a regular weight, very narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, signage, branding, ui labels, technical, retro, industrial, futuristic, architectural, geometric system, space saving, tech aesthetic, signage tone, angular, chamfered, octagonal, condensed, geometric.
A tall, tightly set sans with monoline strokes and a strongly angular construction. Curves are consistently replaced by straight segments and chamfered corners, producing octagonal bowls and faceted joins in letters like C, O, Q, and S. The rhythm is crisp and even, with narrow counters, compact apertures, and squared terminals that keep the texture clean in text. Uppercase forms are sleek and linear, while the lowercase follows the same faceted logic with simple, narrow stems and restrained extenders; numerals match the set with the same clipped, polygonal shaping.
Best suited to display roles where its angular personality can be read clearly—headlines, poster typography, logos/wordmarks, and environmental or wayfinding-style signage. It also works well for short UI labels and interface-style graphics where a technical, compact look is desired, while longer text benefits from generous sizing and spacing.
The faceted geometry reads as engineered and machine-made, giving the font a technical, retro-futurist tone. Its condensed stance and sharp cornering evoke signage, instrumentation, and sci‑fi interface typography rather than soft editorial or humanist contexts.
The design appears intended to translate a geometric, faceted motif into a coherent text face: reducing curves into planar segments, keeping stroke weight consistent, and maintaining a condensed footprint for space-efficient, high-impact setting. The consistent chamfering suggests a deliberate system aimed at a precise, constructed aesthetic.
Distinctive chamfers at outer corners create a consistent “cut metal” silhouette across the set, including diagonals in K, V, W, X and the angled tail in Q. The narrow internal spaces and straight-sided bowls emphasize verticality, and punctuation appears minimal and squarely aligned to the overall gridlike feel.