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Free for Commercial Use

Sans Normal Odrud 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Brutal Milk No 1' by Casloop Studio, 'Maison Neue' by Milieu Grotesque, 'Inerta' by Mint Type, 'Bonga Sans' by Roughlines ID, 'Mundial Narrow' by TipoType, 'TT Hoves Pro' by TypeType, 'Montilla' by Zafara Studios, and 'Grayfel' by insigne (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, friendly, punchy, playful, confident, approachable, display impact, approachability, brand voice, clarity, rounded, soft corners, chunky, compact, smooth.


Free for commercial use
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A heavy, rounded sans with compact proportions and smooth, low-contrast strokes. Curves are generously circular and corners are softly blunted, giving counters a clean, open feel even at very bold weight. Terminals are mostly straight or gently rounded rather than calligraphic, and the overall rhythm is steady with a slight sense of bounce from the bulbous bowls and simplified joints. Numerals and capitals follow the same chunky geometry, favoring broad, stable shapes over sharp detailing.

Best suited for headlines, short copy, and display settings where boldness and clarity are priorities—such as branding, packaging, posters, and retail or event signage. It also works well for playful editorial callouts and social media graphics where a friendly, high-impact voice is needed.

The font reads as friendly and upbeat, with a sturdy, attention-grabbing presence. Its rounded construction and softened edges lend a warm, informal tone that feels contemporary and approachable rather than rigid or technical.

The design appears aimed at providing a modern, high-impact display sans that stays personable through rounded forms and simplified construction. It prioritizes strong readability at display sizes and a cohesive, upbeat texture for brand-forward applications.

At large sizes it delivers strong silhouette recognition and a cohesive, poster-like texture. The round punctuation and dot forms (e.g., i/j) reinforce the playful geometry, while the heavy joins and broad strokes make it best suited to short bursts of text rather than dense paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸