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Free for Commercial Use

Wacky Bawu 2 is a very bold, narrow, medium contrast, italic, short x-height font.

Keywords: posters, headlines, logos, sports, titles, retro, speedy, playful, edgy, techy, standout display, motion cue, retro flair, constructed look, graphic emphasis, slanted, wedged, ink-trap, inline cut, compressed.


Free for commercial use
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A slanted, heavy display face with tall, compressed proportions and sharp, wedged terminals. Strokes are broken up by consistent inline cut-ins and notch-like counters that create a stenciled, segmented feel, while many characters sit on long, flat baseline “sled” feet that read as built-in underlines. Curves are tightly controlled and often squared off, with angular joins and occasional ink-trap-like notches that add bite to the silhouettes. Overall spacing and widths vary by glyph, producing an intentionally restless rhythm across words and lines.

Best suited for short, high-impact applications such as posters, titles, event graphics, sports branding, and logo wordmarks where its motion and built-in underline effect can be a feature. It can also work for packaging callouts or UI/game title screens when used at display sizes with generous spacing and simple supporting typography.

The type conveys motion and attitude—part retro speed lettering, part experimental display. Its aggressive slant, hard corners, and embedded underline elements give it a punchy, attention-grabbing tone that feels sporty, arcade-like, and slightly rebellious. The irregular cuts and narrow apertures add a quirky, custom-built character suited to expressive, non-neutral messaging.

The design appears intended to mimic fast, stylized lettering with a constructed, cut-out aesthetic—combining speed-script energy with mechanical segmentation and a prominent baseline motif. It prioritizes personality and visual momentum over neutrality, aiming to create instantly recognizable headlines.

In text settings the long baseline feet visually connect across letters, forming a strong horizontal band that can dominate a layout and reduce whitespace. The segmented detailing is highly distinctive but can visually fill in at smaller sizes, so it reads best when given room and contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸