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Free for Commercial Use

Solid Idru 1 is a very bold, narrow, medium contrast, reverse italic, tall x-height font visually similar to 'Passiflora' by Compañía Tipográfica de Chile; 'MNSTR' by Gaslight; 'Bourton', 'Bourton Hand', and 'Burford Rustic' by Kimmy Design; 'MVB Diazo' by MVB; and 'Cheapsman' by Typetemp Studio (names referenced only for comparison).

Keywords: headlines, posters, packaging, stickers, party flyers, playful, quirky, retro, chunky, goofy, attention-grabbing, handmade feel, comic tone, poster impact, blobby, soft-edged, irregular, hand-cut, cartoonish.


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A heavy, soft-edged display face built from blobby, uneven forms with visibly irregular contours and a hand-cut silhouette. Counters are frequently reduced or collapsed, turning many letters into solid masses where interior space is suggested more by notches and bites than by open bowls. Strokes feel pressure-shaped rather than constructed, with rounded terminals, lumpy joins, and small nicks that create a lively, inconsistent rhythm. Proportions are compact and top-heavy in places, with simplified geometry and minimal detail that keeps letterforms bold and graphic at larger sizes.

Best suited to short, high-impact settings such as headlines, posters, packaging, and playful branding where dense black shapes are a feature rather than a drawback. It can work for logos or title treatments that benefit from a handmade, novelty texture, while longer passages will read best at generous sizes and with ample line spacing.

The overall tone is humorous and mischievous, with a handmade spontaneity that reads as cartoon-like and intentionally messy. Its chunky black shapes deliver an attention-grabbing, poster-ready impact while keeping the mood light rather than severe.

The design appears intended to provide a bold, instantly recognizable silhouette with a deliberately irregular, handcrafted character. By collapsing many interior openings and emphasizing soft, lumpy contours, it prioritizes graphic impact and personality over conventional legibility and typographic refinement.

Texture comes from subtle waviness and chipped-looking edges, producing a cutout/inked feel in continuous text. Because many counters are filled or nearly filled, differentiation relies on distinctive outer silhouettes and spacing; this gives the font a strong stamp-like presence but makes it more visually dense than typical display sans styles.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸