Sans Superellipse Pylul 5 is a regular weight, normal width, monoline, upright, tall x-height font visually similar to 'Decomputer' by DMTR.ORG and 'Sicret' by Mans Greback (names referenced only for comparison).
Keywords: ui labels, signage, headlines, branding, packaging, modernist, friendly, technical, retro, clarity, compactness, modern branding, signage legibility, rounded, geometric, squared, soft, compact.
A compact geometric sans built from rounded-rectangle and superellipse-like curves, with consistently softened corners and largely uniform stroke thickness. Counters tend toward squared ovals, giving bowls (O, o, e, g) a squarish, tubular feel rather than a pure circle. Terminals are generally blunt and rounded, and joins are clean with minimal modulation, producing a tidy, engineered rhythm. Uppercase forms are narrow and vertical, while lowercase stays sturdy and condensed; details like the single-storey a and g, the short t crossbar, and the straight-sided m/n reinforce the constructed, modular look. Numerals follow the same rounded-rect geometry with simple, open forms and clear differentiation.
Works well for interface labels, wayfinding, and short-to-medium text where a compact footprint and strong silhouette help readability. The distinctive rounded-rect geometry also suits branding, packaging, and editorial headlines that want a clean modern feel with a subtle retro accent.
The overall tone is contemporary and utilitarian, but the rounded geometry adds warmth and approachability. It evokes mid-century/retro-futurist signage and product design—clean, efficient, and slightly playful—without becoming decorative.
The design appears aimed at delivering a clear, space-efficient sans with a highly consistent rounded-rectangle geometry, balancing technical precision with friendly softness for contemporary display and UI-oriented use.
Distinctive superelliptic bowls and squared counters give the face a recognizable texture in text, especially in repeated rounds (o, e, c) and arched stems (n, m, h). The punctuation and dotted forms appear simple and sturdy, matching the blunt, rounded terminal logic across the set.