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Free for Commercial Use

Sans Superellipse Idgip 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'CamingoDos' by Jan Fromm, 'Achates' by Karandash, 'Taz' by LucasFonts, 'Ceebo' by Oliver Matelowski, 'Akwe Pro' by ROHH, and 'Acorde' by Willerstorfer (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, kids media, playful, chunky, friendly, retro, cartoonish, impact, approachability, playfulness, branding, rounded corners, soft geometry, bulky, bubbly, compact counters.


Free for commercial use
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A heavy, rounded sans with soft, squared-off curves and blunt terminals that read like rounded rectangles. The strokes are thick and even, with minimal contrast and a slightly compact internal space, giving counters a tight, sturdy feel. Curved letters (C, G, O, S) favor superelliptical geometry, while straight-sided forms (E, F, H, N) are blocky and stable; joins are robust and corners are consistently softened. The lowercase is simple and sturdy, with a single-storey a and g, a short-armed r, and a broad, dense m; numerals follow the same chunky, rounded logic for a cohesive texture in text.

Best suited to display settings where impact and friendliness are priorities—headlines, posters, signage, packaging, and playful branding. It also works well for short, emphatic UI labels or badges when you want a bold, approachable tone.

The overall tone is bold and approachable, with a toy-like, poster-friendly presence. Its rounded-rectangle construction and tight counters create a cheerful, slightly retro voice that feels energetic and informal rather than corporate or editorial.

The design appears aimed at delivering maximum visual punch with a soft, geometric personality—combining block-like stability with rounded corners to stay friendly and fun. Its simplified forms and consistent rounding suggest an intention to be highly legible and characterful at larger sizes.

In running text the weight and compact counters produce a dark, punchy color, so it performs best when given generous size or spacing. The wide, flat-sided geometry helps maintain clarity at display sizes, and the consistent rounding keeps lines feeling cohesive and soft-edged.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸