Sans Superellipse Argep 2 is a very light, very wide, low contrast, reverse italic, normal x-height font.
Keywords: display, headlines, posters, branding, tech ui, futuristic, technical, minimal, sci-fi aesthetic, wireframe style, geometric experiment, interface vibe, monoline, geometric, angular, skeletal, wireframe.
A monoline, outline-led sans built from straight segments and sharp corners, with forms that often read as open polygons rather than fully closed bowls. The construction leans on squared, superellipse-like geometry—rectangular counters and flat terminals—while many curves are implied through angled joins and clipped corners. Characters show a consistent forward-leaning slant with generous horizontal reach, producing a wide, airy texture and pronounced white space. Diagonals are crisp and prominent, and several glyphs use deliberate breaks or incomplete strokes, reinforcing a schematic, drawn-with-a-single-pen feel.
This design is best suited to display sizes where its thin strokes, wide stance, and open construction can be appreciated—headlines, posters, album/film titles, and technology-oriented branding. It can also work for short UI labels or motion graphics where a schematic, interface-like voice is desired, but it is less suited to dense body text due to its airy, fragmented forms.
The overall tone is futuristic and engineered, evoking wireframes, plotting, and sci‑fi interface typography. Its sparseness and geometric restraint give it a cool, precise demeanor that feels experimental and contemporary rather than conventional or friendly.
The font appears intended to explore a geometric, superellipse-derived sans structure through minimal strokes and intentional openings, prioritizing a futuristic, technical aesthetic over conventional readability. Its wide proportions and forward slant help it project speed and modernity, while the wireframe construction signals experimentation and a plotted, constructed visual logic.
In text, the open counters and frequent gaps create a high-tech rhythm but also make word shapes less continuous than typical sans designs. The digit set follows the same polygonal logic, emphasizing straight edges and angular transitions to stay consistent with the alphabet.