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Sans Normal Ahmag 5 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Artegra Sans' by Artegra, 'Rhea' by Dominik Krotscheck, 'Mollen' by Eko Bimantara, 'SK Merih' by Salih Kizilkaya, 'Autovia' by Santi Rey, 'Breuer Condensed' by TypeTrust, and 'Cervino' by Typoforge Studio (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, direct, utilitarian, assertive, industrial, contemporary, space-saving, high-impact, clarity, modern utility, condensed, blocky, compact, high-contrast apertures, square terminals.


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A condensed sans with heavy, even stroke weight and compact spacing that creates a dense, punchy text color. Forms are built from simplified geometric curves and straight stems, with rounded bowls kept tight and vertical stress throughout. Terminals read mostly square-cut, and many joins and corners feel slightly eased rather than sharp, keeping the bold shapes from looking brittle. The x-height is notably tall, with short ascenders/descenders relative to the body, supporting strong legibility at display sizes. Numerals and capitals follow the same condensed proportions, with open counters that stay readable despite the weight.

This font is well-suited to headlines, posters, and other display applications where space is tight but impact is needed. It can also work for packaging, labels, and signage that benefits from condensed proportions and strong readability at larger sizes. In branding, it fits identities aiming for a modern, utilitarian voice.

The overall tone is straightforward and no-nonsense, leaning functional and industrial rather than playful or delicate. Its compact, emphatic shapes convey urgency and confidence, making it feel suited to modern, pragmatic messaging.

The design appears intended to deliver maximum impact and legibility in a condensed footprint, prioritizing a strong, consistent rhythm and sturdy shapes that reproduce clearly in bold settings. Its simplified geometry and tall lowercase proportions suggest a focus on efficient, contemporary communication across display contexts.

The condensed width and heavy strokes emphasize vertical rhythm, while the relatively open apertures and counters help prevent the face from collapsing into a solid block in longer lines. The sample text shows consistent color and stable alignment, suggesting it’s designed to hold together in bold headlines and dense typographic settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸