Sans Other Sojy 1 is a light, wide, low contrast, upright, normal x-height font.
Keywords: ui labels, tech branding, posters, headlines, wayfinding, techno, futuristic, geometric, minimal, clinical, grid geometry, tech aesthetic, systemic feel, display clarity, monoline, angular, square, modular, cornered.
A geometric, monoline sans built from straight strokes and squared bowls, with open apertures and a distinctly rectilinear construction. Curves are largely replaced by chamfered corners and boxy counters (notably in C, D, O, and 0), while diagonals appear sparingly and read as crisp, engineered joints (A, K, V, W, X, Y). Stroke endings are clean and unembellished, producing a consistent, schematic rhythm; several forms use segmented, “drawn with a pen plotter” logic, such as the squared S and the stepped G. Numerals follow the same modular idea with angular outlines and simplified internal spaces, keeping a uniform, grid-friendly texture in text.
Well suited to interface labeling, control-panel style graphics, and tech-oriented branding where a geometric, engineered voice is desired. It can work effectively in headlines, posters, and short blocks of copy where the distinctive, squared constructions contribute to the visual identity. For signage and wayfinding, it reads best when given enough size and whitespace to keep the angular details crisp.
The overall tone feels technical and forward-leaning, with a schematic, digital flavor that suggests interfaces, instrumentation, and sci‑fi labeling. Its square geometry and restrained detailing create a controlled, modern mood—more utilitarian than friendly—while the stylized constructions add a subtle retro-futurist edge.
This font appears designed to translate a grid-based, modular drawing approach into a clean sans text style, prioritizing geometric consistency and a synthetic, system-like presence. The letterforms emphasize straight strokes and square counters to create a recognizable techno aesthetic while maintaining a simple, legible structure for contemporary display use.
The design leans on a consistent box-and-line vocabulary across cases, with lowercase forms that echo the uppercase geometry rather than introducing calligraphic softness. Spacing in the sample text reads relatively open, helping the angular shapes stay distinct, though the more unconventional letters (like the squared S and the modular G) become strong identifying features in longer passages.