Sans Normal Addak 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Giriton' by Hazztype; 'Nevaeh' by Kufic Studio; 'Core Sans C', 'Core Sans N', and 'Core Sans N SC' by S-Core; and 'Gogh' by Type Forward (names referenced only for comparison).
Keywords: ui labels, branding, headlines, signage, presentations, clean, modern, dynamic, technical, approachable, forward emphasis, modern clarity, friendly utility, streamlined branding, oblique, rounded, humanist, open apertures, smooth curves.
This font is an oblique sans with smooth, rounded construction and consistent, low-contrast strokes. Letterforms lean forward with a steady rhythm and relatively open counters, keeping shapes clear even as curves dominate the design. Terminals are mostly clean and unadorned, with gently softened joins and a slightly humanist feel in the lowercase. The numerals follow the same streamlined geometry, reading crisp and contemporary in text settings.
It works well for interface typography, product branding, and contemporary headlines where an italicized, energetic voice is desired without sacrificing clarity. The clean shapes and open interiors also suit short-to-medium text in presentations, packaging, and wayfinding-style signage where quick recognition matters.
The overall tone feels modern and efficient, with a forward-leaning energy that suggests speed and momentum. Its restrained detailing and rounded forms keep it friendly rather than severe, balancing a technical sensibility with everyday usability.
The design appears intended to provide a modern oblique companion with smooth, rounded forms that remain legible and neutral enough for broad use. It aims to convey motion and emphasis through consistent slant and simplified geometry rather than high contrast or ornamental details.
Uppercase forms stay simple and stable, while the lowercase introduces more personality through rounded bowls and open apertures, giving text a natural flow. The oblique angle is consistent across letters and figures, helping emphasis feel integrated rather than decorative.