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Free for Commercial Use

Outline Mydi 10 is a very light, wide, low contrast, upright, tall x-height font.

Keywords: headlines, posters, logotypes, titling, sci‑fi ui, futuristic, technical, sci‑fi, architectural, retro, tech aesthetic, sci‑fi branding, geometric construction, display impact, geometric, octagonal, monoline, angular, chamfered.


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A geometric outline face built from single-line contours with an inner parallel line that creates a double-outline, hollow construction. Curves are largely replaced by chamfered, octagonal turns, producing a crisp, engineered rhythm across rounds like C/O and corners like E/F. Strokes remain uniform and open, with frequent breaks and clipped terminals that emphasize a constructed, modular feel. The lowercase mirrors the uppercase’s geometry, with single-storey forms and squared bowls; numerals follow the same faceted language, with a segmented, display-oriented structure.

Best suited to display typography where the outline detailing can be appreciated: posters, headlines, event graphics, album art, and brand marks seeking a futuristic or technical voice. It can also work for interface headings, labels, and signage-inspired compositions when set at larger sizes with ample contrast against the background.

The faceted outlines and double-line construction evoke a futuristic, technical tone with strong sci‑fi and industrial associations. Its open interiors and angular detailing feel like signage drawn with drafting tools, lending a sleek, schematic personality. The overall impression is modern-retro—reminiscent of arcade, aerospace, and techno aesthetics.

The design appears intended as a constructed, geometric outline alphabet with consistent chamfers and a double-contour effect, prioritizing a distinctive, tech-forward silhouette over text-size readability. Its modular cuts and octagonal rounds suggest an aim to feel engineered and schematic, like lettering derived from industrial design and digital-era aesthetics.

At smaller sizes the fine outlines and internal parallel line can visually merge, while at display sizes the chamfered geometry and cut-in details become a defining texture. Spacing appears generous and the outline construction creates a lighter apparent color, making background contrast an important part of the look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸