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Free for Commercial Use

Outline Mydi 10 is a very light, wide, low contrast, upright, tall x-height font.

Keywords: headlines, posters, logotypes, titling, sci‑fi ui, futuristic, technical, sci‑fi, architectural, retro, tech aesthetic, sci‑fi branding, geometric construction, display impact, geometric, octagonal, monoline, angular, chamfered.


Free for commercial use
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A geometric outline face built from single-line contours with an inner parallel line that creates a double-outline, hollow construction. Curves are largely replaced by chamfered, octagonal turns, producing a crisp, engineered rhythm across rounds like C/O and corners like E/F. Strokes remain uniform and open, with frequent breaks and clipped terminals that emphasize a constructed, modular feel. The lowercase mirrors the uppercase’s geometry, with single-storey forms and squared bowls; numerals follow the same faceted language, with a segmented, display-oriented structure.

Best suited to display typography where the outline detailing can be appreciated: posters, headlines, event graphics, album art, and brand marks seeking a futuristic or technical voice. It can also work for interface headings, labels, and signage-inspired compositions when set at larger sizes with ample contrast against the background.

The faceted outlines and double-line construction evoke a futuristic, technical tone with strong sci‑fi and industrial associations. Its open interiors and angular detailing feel like signage drawn with drafting tools, lending a sleek, schematic personality. The overall impression is modern-retro—reminiscent of arcade, aerospace, and techno aesthetics.

The design appears intended as a constructed, geometric outline alphabet with consistent chamfers and a double-contour effect, prioritizing a distinctive, tech-forward silhouette over text-size readability. Its modular cuts and octagonal rounds suggest an aim to feel engineered and schematic, like lettering derived from industrial design and digital-era aesthetics.

At smaller sizes the fine outlines and internal parallel line can visually merge, while at display sizes the chamfered geometry and cut-in details become a defining texture. Spacing appears generous and the outline construction creates a lighter apparent color, making background contrast an important part of the look.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸