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Free for Commercial Use

Blackletter Opho 10 is a bold, narrow, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, album covers, tattoos, branding, gothic, medieval, authoritative, ritualistic, dramatic, heritage tone, display impact, gothic mood, traditional texture, angular, ornate, calligraphic, sharp, spiked.


Free for commercial use
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A blackletter design built from tightly constructed vertical stems and sharp, faceted joins, with wedge-like terminals that create crisp points at corners and stroke ends. Forms are compact and rhythmic, relying on repeated straight segments and small, angled feet and caps rather than curves, producing a dense, even texture in words. Capitals are taller and more decorated, with prominent broken-pen angles and distinctive inner counters, while lowercase maintains a consistent, upright skeleton with narrow apertures and strong vertical emphasis. Numerals follow the same angular logic, with pointed terminals and a compact, high-impact silhouette.

Best suited to display settings where impact and atmosphere are the priority: headlines, posters, album or merch graphics, and brand marks that want a historic or gothic tone. It can also work for short phrases, labels, and title treatments where the dense blackletter texture is an intentional stylistic cue rather than a long-reading text face.

The overall tone is gothic and ceremonial, evoking manuscripts, heraldic lettering, and historic signage. Its hard edges and dense rhythm read as forceful and traditional, with an austere, authoritative presence that can feel dramatic or ominous depending on context.

The letterforms appear designed to capture a classic blackletter voice with a clean, consistent digital drawing: compact proportions, strong vertical cadence, and pointed calligraphic terminals. The emphasis is on creating a recognizable, traditional texture that holds up in bold display sizes while keeping a controlled, repeatable rhythm across the alphabet and figures.

The design favors strong black shapes and minimal rounding, so letterspacing and line length will heavily influence readability; it naturally produces a dark, patterned color in paragraphs. Uppercase characters carry more flourish and asymmetry than the lowercase, making them especially attention-grabbing in initials and headings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸