Sans Faceted Kada 7 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, gaming, ui titles, futuristic, tech, industrial, arcade, sci‑fi, hard‑surface aesthetic, tech branding, sci‑fi styling, impact display, modular system, octagonal, angular, chamfered, modular, geometric.
A geometric display sans built from straight strokes and crisp chamfered corners, with curves largely replaced by faceted, octagonal forms. Stems keep a uniform thickness while joins and terminals are cut on diagonals, producing a hard-edged, machined look. The proportions run horizontally generous with squared counters and wide apertures, and the overall rhythm is boxy and modular. Uppercase and lowercase share the same angular construction, and the numerals follow the same faceted logic for a consistent, system-like texture in text.
Best suited to short, high-impact settings such as headlines, posters, game titles, and interface headings where its faceted construction can read clearly. It also fits logos and product marks aiming for a technical or futuristic voice, and works well on signage or packaging where a rigid, engineered tone is desired.
The faceted geometry and squared counters give the face a distinctly futuristic, technical tone—more HUD/interface than editorial. Its sharp cuts and wide stance read as confident and engineered, evoking arcade-era sci‑fi, industrial labeling, and modern tech branding.
The design appears intended to translate a geometric, hard-surface aesthetic into a readable alphabet, using chamfered corners and straight segments to suggest precision and speed. By keeping stroke weight consistent and relying on facets instead of curves, it aims to deliver a cohesive sci‑fi/industrial identity across letters and numbers.
At smaller sizes, the strong corners and rectangular interior spaces can create a dense, patterned texture, while larger settings emphasize the distinctive cut corners and stencil-like gaps created by the faceting. The letterforms favor clarity through simple, planar construction rather than organic modulation, making the style feel intentionally digital and schematic.