Sans Faceted Rysu 2 is a bold, wide, low contrast, italic, normal x-height font.
Keywords: posters, headlines, logos, streetwear, packaging, edgy, dynamic, urban, handmade, comic, attention, motion, impact, attitude, angular, faceted, chiseled, slanted, chunky.
A heavy, slanted sans with sharply faceted construction that replaces smooth curves with planar, cut-like angles. Strokes stay largely uniform in thickness, creating a dense, high-impact texture, while corners and joins break into crisp bevels that give counters and bowls a polygonal feel. Proportions run broad with open spacing and a lively, irregular rhythm; widths and shapes vary slightly across letters, reinforcing an energetic, hand-drawn consistency rather than rigid geometric repetition.
Best suited to short, prominent settings such as posters, punchy headlines, logo wordmarks, apparel graphics, and bold packaging where its angular texture can be appreciated. It also works well for energetic branding, event promos, and youth-oriented or urban themes. For extended reading, it will be most effective in large sizes and with generous spacing to keep the faceted forms from feeling crowded.
The overall tone is assertive and streetwise, with a rough-cut, graphic immediacy that feels fast and expressive. Its angular facets read as sporty and action-oriented, suggesting motion and attitude more than refinement. The texture conveys a casual, human-made confidence—bold in presence, a bit mischievous, and attention-grabbing.
The design appears intended to deliver a bold, fast, hand-cut aesthetic with a distinctive faceted voice, trading smoothness for sharp planes and lively irregularity. It aims to stand out quickly in display contexts, combining sans simplicity with a carved, comic-leaning dynamism.
Uppercase and lowercase share the same faceted language, producing strong silhouette variety and a playful, uneven cadence in text. Numerals and rounded letters lean into polygonal counters, which enhances the “carved” look at display sizes. In longer lines, the slant and chunky forms create a forward-driving line flow that prioritizes personality over quiet neutrality.