Sans Other Ufris 1 is a very light, normal width, monoline, upright, short x-height font.
Keywords: headlines, logotypes, posters, packaging, branding, minimal, modern, airy, precise, elegant, minimalism, geometric clarity, modern branding, delicate display, geometric, rounded, open apertures, linear, spacious.
This typeface is built from a consistent hairline stroke with a clean, monoline construction and generous interior space. Forms lean geometric with softly rounded curves (notably in C, G, O, and e) and straight-sided verticals that give the alphabet a crisp, diagrammatic feel. Corners are generally softened rather than sharply squared, and several joins read as slightly segmented, emphasizing a constructed, modular rhythm. Spacing appears even and calm, with a light footprint and clear separation between characters in running text.
It suits display-oriented settings where delicacy and precision are desirable—such as logotypes, wordmarks, editorial headlines, posters, and refined packaging. In larger sizes it reads as sleek and elegant, while in short text passages it can provide a light, contemporary texture when set with ample spacing and contrast against the background.
The overall tone is restrained and contemporary, with an airy, refined presence. Its thin strokes and open shapes suggest precision and delicacy, creating a quiet, upscale modernist mood rather than something bold or expressive. The constructed details add a subtle techno or architectural flavor without becoming overtly futuristic.
The design appears intended to deliver a minimalist, hairline sans with geometric foundations and a subtly constructed character. It prioritizes a clean silhouette and spacious counters for a modern, refined look suited to branding and display typography.
Uppercase and lowercase share a consistent geometric logic, with round letters staying very circular and straights remaining uncompromisingly linear. The numerals follow the same minimalist approach, with simple, open contours and a light, unobtrusive color on the page. At smaller sizes, the extremely thin stroke may reduce emphasis and contrast, making it feel best when allowed room to breathe.