Script Rahi 12 is a regular weight, very narrow, very high contrast, upright, short x-height font.
Keywords: invitations, wedding, branding, logotypes, packaging, elegant, whimsical, romantic, vintage, playful, decorative, calligraphic, celebratory, boutique, statement, swashy, looped, monoline accents, bouncy baseline.
A formal script with a hand-drawn calligraphic feel, built from tall, slender letterforms and pronounced thick–thin modulation. Strokes end in tapered hairlines and small teardrop-like terminals, with frequent entry/exit strokes that create soft connections in lowercase and occasional gentle linking in text. Capitals are ornate and varied, featuring swashes, interior curls, and elongated verticals; the lowercase keeps a lively rhythm with narrow counters, looped ascenders/descenders, and a slightly bouncing, organic cadence. Numerals follow the same contrasty, curvilinear logic, mixing clean stems with delicate finishing strokes.
Well suited to invitations and announcements, wedding collateral, boutique branding, and packaging where a decorative script can carry the voice. It can also work for short headlines, pull quotes, and social graphics, especially when given enough size and spacing to let the hairlines and curls stay clear.
The overall tone is refined yet lighthearted, balancing decorative flourish with an approachable handwritten charm. It reads as romantic and slightly vintage, with enough whimsy in the loops and swashes to feel celebratory rather than formal in a strict, traditional sense.
The design intent appears to be a decorative, calligraphy-inspired script that delivers high elegance with playful flourish. Its tall proportions, strong stroke contrast, and swashy capitals suggest a focus on statement-making display typography rather than dense, long-form reading.
Letterfit appears intentionally snug, producing a compact texture in words while the long ascenders and occasional swashes add vertical drama. Some capitals and lowercase forms lean toward display-like personality, so the font’s character is driven as much by its ornamental details as by its underlying script structure.